If you're going to lug a ratty old amp or boombox to your next parking lot shred session, there's one universally agreed-upon thing to do: blast Slayer. I mean, really blast Slayer. But if you're looking to score your next sesh with something a bit headier, something that plays with the sounds of (sub)urban skateboarding as a medium, you'll want to hack that shitty backyard ramp into a mobile soundsystem.
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It's all part of a bigger push to sonify the city—and everything else, too. SkateHack's mission, after all, points toward finding "new ways of interacting with city spaces through the integration of technology, sound and live performance," according to the project's website.But the real end goal strikes an even deeper chord. Skaters and hackers are kindred spirits in the sense that so often the very acts of "skating" or "hacking" run afoul of the law."Both skateboarding and hacking involve using information from the surrounding environment, modifying it, and creating new modes of interaction," SkateHack's site explains. As such skateboarders, much like hackers, often face stiff penalties "when it comes to expressing their creativity, skill and talent which in many cases, question traditional ideas about ownership.""Laws such as PIPA and SOPA threaten to tighten restrictions on piracy while some legislation in some U.S. cities prohibit the use of skateboards on any public road," the site adds. "In many cases, skateboarders are arrested for breaking private property laws much like a hacker who is accused for copyright infringement."A mutual coping mechanism, then.